Crynodeb
Appropriation is a common practice in art and literature; electronic literature in particular lends itself readily to appropriation and collaboration, due to its multimodal and born-digital nature. This paper presents practice-based research examining the effects of digital appropriation on two works of digital fiction (a hyperfiction and an interactive fiction), demonstrating how it alters the creative writer’s typical process, as well as the resulting narrative itself. This practice of appropriation results in “implicit collaboration” between the digital creative writer and those whose work is appropriated, an arguable form of shared authorship. Questions regarding the ethics of this practice, including copyright concerns and authorship, are discussed.
| Iaith wreiddiol | Saesneg |
|---|---|
| Cyfnodolyn | Publications |
| Cyfrol | 4 |
| Rhif cyhoeddi | 1 |
| Dynodwyr Gwrthrych Digidol (DOIs) | |
| Statws | Cyhoeddwyd - 22 Maw 2016 |
Ôl bys
Gweld gwybodaeth am bynciau ymchwil 'Creative Commons and Appropriation: Implicit Collaboration in Digital Works'. Gyda’i gilydd, maen nhw’n ffurfio ôl bys unigryw.Allbwn Ymchwil
- 1 Erthygl
-
Creative Practice as Research: Discourse on Methodology
Skains, R. L., 22 Mai 2018, Yn: Journal of Media Practice. 19, 1, t. 82-97Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid
Mynediad agoredFfeil1951 Wedi eu Llwytho i Lawr (Pure)
Effeithiau
-
ESRC IAA The Future of Reading: Digital Books and Digital Narratives, from Publisher to Reader
Skains, R. (Cyfranogwr), Muse, E. (Cyfranogwr) & Ensslin, A. (Cyfranogwr)
Effaith
Dyfynnu hyn
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver