Eperdument livrer mon corps - Composing the performer and models of dramaturgy for the solo instrumentalist

Richard Craig

Eperdument livrer mon corps - Composing the performer and models of dramaturgy for the solo instrumentalist

Richard Craig

HARPS - Artistic Research and Performance Studies
Lithuanian Academy for Music and Theatre

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution › peer-review

Abstract

Contemporary music practice is no longer a clearly defined artistic labour, nor is the concept of authorship in the context of interpreting and composing new music. When performers interpret new works, or engage with new notations and extended-techniques, the inherited borders between performer and composer become porous. My research is concerned with the way in which new
music performance practice has become a recomposition of the classical music role-play between performer, composer and score, and as an autoethnographic study I am reconsidering the role of the performer in luminous for solo alto flute (2012-2014).

Original language	English
Title of host publication	Eperdument livrer mon corps - Composing the performer and models of dramaturgy for the solo instrumentalist
Publication status	Published - 6 Sept 2018

Keywords

Performance
Contemporary Music
Artistic Research

Cite this

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KW - Performance

KW - Contemporary Music

KW - Artistic Research

UR - http://harps.lmta.lt/en/events/doctors-in-performance/

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Eperdument livrer mon corps - Composing the performer and models of dramaturgy for the solo instrumentalist

Abstract

Keywords

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