Abstract
This article explores the relationship between languages that is enacted in two anthologies co-edited by US poets Jerome Rothenberg and Pierre Joris, Poems for the Millennium, volumes 1 and 2, considering it in the light of performance and performativity. The article examines the different phases of translingual avant-garde practice reflected in the anthologies as well as their twenty-first-century legacy.
| Original language | English |
|---|---|
| Number of pages | 13 |
| Journal | English Studies in Latin America: A Journal of Cultural and Literary Criticism |
| Volume | 30 |
| Issue number | 30 |
| DOIs | |
| Publication status | Published - 30 Jan 2026 |
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