Dr John Cunningham
Reader in Musicology
Affiliations
Contact info
Email: else17@bangor.ac.uk
Phone: +44 (0) 1248 388278
Location: Dept. of Music, Drama and Performance, First Floor
- Chapter › Research › Peer-reviewed
- Published
Shakespeare and Music
Cunningham, J., 27 Oct 2016, New Oxford Shakespeare : The Complete Works. Taylor, G., Jowett, J., Bourus, T. & Egan, G. (eds.). Modern Critical Edition ed. Oxford: Oxford: OUPResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
- Published
The reception and re-use of Thomas Arne’s Shakespeare songs of 1740/1
Cunningham, J., 2017, Shakespeare, Music and Performance . Barclay, B. & Lindley, D. (eds.). Cambridge: Cambridge University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
- Published
‘What’s in a name?’: Authorship and Shakespeare Songs in the Eighteenth Century
Cunningham, J., Feb 2022, The Oxford Handbook of Shakespeare and Music. Wilson, C. R. & Cooke, M. (eds.). London: Oxford: OUPResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
- Published
‘Where should this music be?’: Cataloguing Shakespeare Music’
Cunningham, J., May 2022, The Oxford Handbook of Shakespeare and Music. Wilson, C. R. & Cooke, M. (eds.). Oxford : Oxford: OUP, p. 33–74 41 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
- Published
‘“Faint copies” and “excellent Originalls”: Composition and Consumption of Trio Sonatas in England, c.1695–1714’
Cunningham, J., 26 Mar 2018, Eine Geographie der Triosonate: Beitraege zur Gattungsgeschichte im Europaeischen Raum. Groote, I. M. & Giuggioli, M. (eds.). Schweizerische Musikforschende Gesellschaft, p. 113-140 27 p.Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
- Published
“An Irishman in an opera!”: Music and nationalism on the London stage in the mid-1770s
Cunningham, J., 2018, Music Preferred. Essays in Musicology, Cultural History and analysis in honour of Harry White. Elliott, R. & Byrne Bodley, L. (eds.). Vienna: Hollitzer VerlagResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
- Published
“Solemn and appropriate Shakespearean music”: The Stratford Tercentenary of 1864
Cunningham, J., Jansohn, C. (ed.) & Mehl, D. (ed.), 1 Oct 2015, Shakespeare Jubilees: 1864-2014, Studien Zur Englischen Literatur, Band 27. Lit VerlagResearch output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
- Other chapter contribution › Research › Peer-reviewed
- Published
Entries on: John Abell; Brass and Reed Bands; William Byrd; Denis Collins; Dalway Harp; Kieran Daly; Terry de Valera; John Dowland; Masque; Military Bands post 1840; Orchestras; Burk Thumoth; Thomas Tollett and family; Werburgh Street Theatre.
Cunningham, J., 15 Sept 2013, Encyclopaedia of Music in Ireland. White, H. & Boydell, B. (eds.). Dublin: Four Courts PressResearch output: Chapter in Book/Report/Conference proceeding › Other chapter contribution › peer-review
- Paper › Research › Not peer-reviewed
- Published
Authorship, Anonymity and (Mis)Attribution: Katherine Philips’s ‘Pompey’s Ghost’
Cunningham, J., 22 Oct 2021.Research output: Contribution to conference › Paper
- Published
‘Corbett’s last catalogue’
Cunningham, J., 25 Aug 2019.Research output: Contribution to conference › Paper