1. Chapter › Research › Not peer-reviewed
2. Published

   Francis Dhomont’s Novars

   Lewis, A. P. & Roy, S. (Editor), 1 Jan 2004, L’analyse des musiques electroacoustiques: modeles et propositions. 2004 ed. L'Harmattan, p. 0

   Research output: Chapter in Book/Report/Conference proceeding › Chapter

3. Published

   The Harpsichord and the Embodied Acousmatic

   Lewis, A., Jan 2025, Harpsichord Reimagined: Resonances in Contemporary Music. Palmer, J. & Chapman, J. (eds.). Vision Edition

   Research output: Chapter in Book/Report/Conference proceeding › Chapter

4. Published

   Types de sons et comportements sonores dans Novars.

   Lewis, A. P. & Castanet, P. A. (Editor), 1 Jan 2006, Portrait polychrome No 10 : Francis Dhomont. 2006 ed. INA

   Research output: Chapter in Book/Report/Conference proceeding › Chapter

5. Published

   ‘I Am, Mémoires, Present Otherness, “…as it flies”, Transient, Phonai’, Interview with John Palmer

   Lewis, A., 2022, Looking Within, the Music of John Palmer: Interview with John Palmer. Vision Edition

   Research output: Chapter in Book/Report/Conference proceeding › Chapter

6. Paper › Research › Peer-reviewed
7. Published

   The Creative Practice Research Manifesto

   Skains, R., Lewis, A. & Muse, E., 7 Jul 2014.

   Research output: Contribution to conference › Paper › peer-review

8. Software › Research
9. Published

   BAT (Bangor Audio Toolkit) version 4

   Lewis, A. (Other), 25 May 2018

   Research output: Non-textual form › Software

10. Composition › Research
11. Published

    'Budo' Variations.

    Lewis, A. P. (Composer), 1 Jan 2006

    Research output: Non-textual form › Composition

12. Published

    Ascent: stereo acousmatic music

    Lewis, A. (Other), 4 Dec 1994

    Research output: Non-textual form › Composition

13. Published

    Benllech Shells.

    Lewis, A. P. (Composer), 13 Feb 2004

    Research output: Non-textual form › Composition

14. Published

    Cable Bay (8 channel version)

    Lewis, A. P. (Composer), 1 Jan 2007

    Research output: Non-textual form › Composition