1. Published

   ‘A New Bach Aria’; ‘Hyperion vs Sawkins’

   Cunningham, J., Nov 2005, In: Early Music Performer: Journal of the National Early Music Association. 16, p. 22-24 3 p.

   Research output: Contribution to journal › Article › peer-review

2. Published

   ‘A little-known source of Restoration lyra-viol and keyboard music: Surrey History Centre, Woking, LM/1083/91/35’

   Cunningham, J. & Woolley, A., Jan 2010, In: Royal Musical Association Research Chronicle. 43, p. 1-22 22 p.

   Research output: Contribution to journal › Article › peer-review

3. Published

   ‘Corbett’s last catalogue’

   Cunningham, J., 25 Aug 2019.

   Research output: Contribution to conference › Paper

4. Published

   ‘Dibdin Here, Dibdin There, Dibdin Everywhere: Report on the LUCEM “Charles Dibdin Autographs Project”’

   Cunningham, J., 2006, In: Early Music Performer: Journal of the National Early Music Association. 18, p. 36−43 7 p.

   Research output: Contribution to journal › Article › peer-review

5. Published

   ‘Pompey’s Ghost’ from play-house to pulpit?

   Cunningham, J., 8 Jun 2019.

   Research output: Contribution to conference › Paper

6. Published

   ‘What’s in a name?’: Authorship and Shakespeare Songs in the Eighteenth Century

   Cunningham, J., Feb 2022, The Oxford Handbook of Shakespeare and Music. Wilson, C. R. & Cooke, M. (eds.). London: Oxford: OUP

   Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

7. Published

   ‘Where should this music be?’: Cataloguing Shakespeare Music’

   Cunningham, J., May 2022, The Oxford Handbook of Shakespeare and Music. Wilson, C. R. & Cooke, M. (eds.). Oxford : Oxford: OUP, p. 33–74 41 p.

   Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

8. Published

   ‘“Faint copies” and “excellent Originalls”: Composition and Consumption of Trio Sonatas in England, c.1695–1714’

   Cunningham, J., 26 Mar 2018, Eine Geographie der Triosonate: Beitraege zur Gattungsgeschichte im Europaeischen Raum. Groote , I. M. & Giuggioli, M. (eds.). Schweizerische Musikforschende Gesellschaft, p. 113-140 27 p.

   Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

9. Published

   ‘“Let them be lusty, smart-speaking viols”: William Lawes and the lyra-viol trio

   Cunningham, J., 2006, In: Journal of the Viola da Gamba Society of America. 43, p. 32-68 36 p.

   Research output: Contribution to journal › Article › peer-review

10. Published

    ‘“Some consorts of instruments are sweeter than others”: Further light on the harp of William Lawes’s Harp Consorts

    Cunningham, J., Apr 2008, In: Galpin Society Journal . 61, p. 147–176 29 p.

    Research output: Contribution to journal › Article › peer-review

11. Published

    “An Irishman in an opera!”: Music and nationalism on the London stage in the mid-1770s

    Cunningham, J., 2018, Music Preferred. Essays in Musicology, Cultural History and analysis in honour of Harry White. Elliott, R. & Byrne Bodley, L. (eds.). Vienna: Hollitzer Verlag

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

12. Published

    “Solemn and appropriate Shakespearean music”: The Stratford Tercentenary of 1864

    Cunningham, J., Jansohn, C. (Editor) & Mehl, D. (Editor), 1 Oct 2015, Shakespeare Jubilees: 1864-2014, Studien Zur Englischen Literatur, Band 27. Lit Verlag

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review