Embodied memory Shadow and index in Family Ties by Eulalia Valldosera
Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid
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Yn: Journal of Romance Studies, Cyfrol 19, Rhif 2, 4, 16.07.2019, t. 261-281.
Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid
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TY - JOUR
T1 - Embodied memory Shadow and index in Family Ties by Eulalia Valldosera
AU - Bru-Dominguez, Eva
PY - 2019/7/16
Y1 - 2019/7/16
N2 - This article explores questions of memory and corporeal trace in the photographic series Family Ties (2012) by the Catalan visual and performance artist Eulàlia Valldosera. It situates her work in relation to the formal and conceptual shift in art that took place in the international arena in the 1960s, and that was characterised by a disregard for the material art-object and a turn to ephemeral, conceptual and performative artistic practices. Focusing on the concept of index (as bodily trace) and shadow (as the materialisation and/or visualisation of the subject’s unconscious), the article analyses Valldosera’s use of these two recurrent motifs in the visual arts as a means of engaging with the omissions and discontinuities of her most immediate cultural and historical context. In so doing, it shows how traces of past bodily relations in space – past instances in the construction of the self – are activated, performed and materialised through the body.
AB - This article explores questions of memory and corporeal trace in the photographic series Family Ties (2012) by the Catalan visual and performance artist Eulàlia Valldosera. It situates her work in relation to the formal and conceptual shift in art that took place in the international arena in the 1960s, and that was characterised by a disregard for the material art-object and a turn to ephemeral, conceptual and performative artistic practices. Focusing on the concept of index (as bodily trace) and shadow (as the materialisation and/or visualisation of the subject’s unconscious), the article analyses Valldosera’s use of these two recurrent motifs in the visual arts as a means of engaging with the omissions and discontinuities of her most immediate cultural and historical context. In so doing, it shows how traces of past bodily relations in space – past instances in the construction of the self – are activated, performed and materialised through the body.
KW - body
KW - cultural memory
KW - index
KW - installation art
KW - performance art
KW - photography
KW - shadow
KW - space
U2 - 10.3828/jrs.2019.16
DO - 10.3828/jrs.2019.16
M3 - Article
VL - 19
SP - 261
EP - 281
JO - Journal of Romance Studies
JF - Journal of Romance Studies
SN - 1473-3536
IS - 2
M1 - 4
ER -