TY - GEN

T1 - Eperdument livrer mon corps - Composing the performer and models of dramaturgy for the solo instrumentalist

AU - Craig, Richard

PY - 2018/9/6

Y1 - 2018/9/6

N2 - Contemporary music practice is no longer a clearly defined artistic labour, nor is the concept of authorship in the context of interpreting and composing new music. When performers interpret new works, or engage with new notations and extended-techniques, the inherited borders between performer and composer become porous. My research is concerned with the way in which newmusic performance practice has become a recomposition of the classical music role-play between performer, composer and score, and as an autoethnographic study I am reconsidering the role of the performer in luminous for solo alto flute (2012-2014).

AB - Contemporary music practice is no longer a clearly defined artistic labour, nor is the concept of authorship in the context of interpreting and composing new music. When performers interpret new works, or engage with new notations and extended-techniques, the inherited borders between performer and composer become porous. My research is concerned with the way in which newmusic performance practice has become a recomposition of the classical music role-play between performer, composer and score, and as an autoethnographic study I am reconsidering the role of the performer in luminous for solo alto flute (2012-2014).

KW - Performance

KW - Contemporary Music

KW - Artistic Research

UR - http://harps.lmta.lt/en/events/doctors-in-performance/

M3 - Conference contribution

BT - Eperdument livrer mon corps - Composing the performer and models of dramaturgy for the solo instrumentalist

ER -