Germany is not Texas. Finding reunified Germany in the Rural: Christoph Schlingensief’s The German Chain Saw Massacre
Allbwn ymchwil: Cyfraniad at gyhoeddiad arbenigol › Erthygl
Fersiynau electronig
Dolenni
This article explores the transnational qualities of the Chain Saw narrative via a comparison of Tobe Hooper’s The Texas Chain Saw Massacre (1974) and Christoph Schlingensief’s The German Chain Saw Massacre (1990) with a focus on the latter.
The article challenges the idea of transnational narratives by identifying the cultural specificity of both films. However it does acknowledge Schlingensief’s The German Chain Saw Massacre as an ingenious appropriation of Hooper’s original for the unique historical framework of the German Reunification.
The article challenges the idea of transnational narratives by identifying the cultural specificity of both films. However it does acknowledge Schlingensief’s The German Chain Saw Massacre as an ingenious appropriation of Hooper’s original for the unique historical framework of the German Reunification.
Allweddeiriau
| Iaith wreiddiol | Saesneg |
|---|---|
| Rhif y cyfnodolyn | 4 |
| Cyfnodolyn | Cine-Excess |
| Statws | Cyhoeddwyd - 4 Mai 2020 |
Cyhoeddiadau (2)
- Cyhoeddwyd
Der Zuschauer als Schaffender. Christoph Schlingensiefs filmische Sehschule
Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Pennod › adolygiad gan gymheiriaid
- Cyhoeddwyd
Künstlerische Avantgardeforschung und Institutionskritik in Christoph Schlingensiefs Müllfestspiele (1996), Seven X (1999) und Erster Attaistischer Kongress (2002)
Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Pennod
Gweithgareddau a dyfarniadau proffesiynol (1)
GERMAN STUDIES ASSOCIATION
Gweithgaredd: Cymryd rhan mewn digwyddiad neu drefnu digwyddiad › Cymryd rhan mewn cynhadledd Academaidd