The paper explores three projects by Christoph Schlingensief, Müllfestspiele (1996), Seven X (1999) and Erster Attaistischer Kongress (2002), none of which has previously been examined in detail by scholars. The paper first identifies the tremendous extent to which Schlingensief expanded on the avant-garde traditions of the Berlin Volksbühne. It then goes on to demonstrate how Schlingensief’s artistic research into the avant garde generated and pursued a paradigmatic change in institutional critique. In the process, Schlingensief revealed artistic strategies for gaining autonomy with and within institutions. This also means that, in his artistic practice, Schlingensief had already anticipated and implicitly refuted Andrea Fraser´s later theoretical framing of the supposed limitations of institutional critique by artists.


Iaith wreiddiolAlmaeneg
TeitlChristoph Schlingensief und die Avantgarde
GolygyddionLore Knapp, Sven Lindholm, Sarah Pogoda
CyhoeddwrFink Verlag
ISBN (Argraffiad)978-3-7705-6413-2
StatwsCyhoeddwyd - 25 Maw 2019
DigwyddiadChristoph Schlingensief und die Avantgarde: Christoph Schlingensief and the Avant-garde - Center of Interdisciplinary Reseach University of Bielefeld, Bielefeld, Yr Almaen
Hyd: 2 Feb 20174 Feb 2017


CynhadleddChristoph Schlingensief und die Avantgarde
GwladYr Almaen
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