Poetry & Listening: The Noise of Lyric

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Poetry & Listening: The Noise of Lyric. / Skoulding, Zoë.
Liverpool: Liverpool University Press, 2020. (Poetry &...; Cyfrol 10).

Allbwn ymchwil: Llyfr/AdroddiadLlyfradolygiad gan gymheiriaid

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Skoulding, Z 2020, Poetry & Listening: The Noise of Lyric. Poetry &..., cyfrol. 10, Liverpool University Press, Liverpool.

APA

Skoulding, Z. (2020). Poetry & Listening: The Noise of Lyric. (Poetry &...; Cyfrol 10). Liverpool University Press.

CBE

Skoulding Z 2020. Poetry & Listening: The Noise of Lyric. Liverpool: Liverpool University Press. (Poetry &...).

MLA

Skoulding, Zoë Poetry & Listening: The Noise of Lyric Poetry &.... Liverpool: Liverpool University Press. 2020.

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Skoulding Z. Poetry & Listening: The Noise of Lyric. Liverpool: Liverpool University Press, 2020. (Poetry &...).

Author

Skoulding, Zoë. / Poetry & Listening: The Noise of Lyric. Liverpool : Liverpool University Press, 2020. (Poetry &...).

RIS

TY - BOOK

T1 - Poetry & Listening: The Noise of Lyric

AU - Skoulding, Zoë

PY - 2020/11/4

Y1 - 2020/11/4

N2 - Listening has always mattered in poetry, but how does poetry change when listening has been transformed? In Poetry & Listening: The Noise of Lyric, the field of sound studies, which has revolutionised research in contemporary music, is brought into dialogue with new lyric criticism. Examining poetry as mediated by performance, technology and translation, this book discovers how contemporary poetry has been re-energised by the influence of recorded sound and influenced by the creative methods that emerged with it. It offers an exploration of contemporary poetry's acoustic contexts, moving beyond traditional analysis of poetic form to consider the social, political and ecological dimensions of a poem's sounds and silences. Through lucid engagement with a range of richly innovative English-language poetry from the UK and USA, it argues for the centrality of listening to a form of composition in which language not only represents sonic experience but is part of it. With reference to Jean-Luc Nancy's distinction between hearing and listening, alongside other key theorists of sound and noise, it shows how poetry offers insights into sensory perception, and how it charts acoustic relationships between language and the environment.

AB - Listening has always mattered in poetry, but how does poetry change when listening has been transformed? In Poetry & Listening: The Noise of Lyric, the field of sound studies, which has revolutionised research in contemporary music, is brought into dialogue with new lyric criticism. Examining poetry as mediated by performance, technology and translation, this book discovers how contemporary poetry has been re-energised by the influence of recorded sound and influenced by the creative methods that emerged with it. It offers an exploration of contemporary poetry's acoustic contexts, moving beyond traditional analysis of poetic form to consider the social, political and ecological dimensions of a poem's sounds and silences. Through lucid engagement with a range of richly innovative English-language poetry from the UK and USA, it argues for the centrality of listening to a form of composition in which language not only represents sonic experience but is part of it. With reference to Jean-Luc Nancy's distinction between hearing and listening, alongside other key theorists of sound and noise, it shows how poetry offers insights into sensory perception, and how it charts acoustic relationships between language and the environment.

KW - Poetry

KW - Sound

KW - Music and literature

KW - Listening

KW - Noise

M3 - Book

SN - 9781789621792

T3 - Poetry &...

BT - Poetry & Listening: The Noise of Lyric

PB - Liverpool University Press

CY - Liverpool

ER -