Repressed Memories and Desires: The Monstrous Other in Agustí Villaronga’s Pa negre

Allbwn ymchwil: Cyfraniad at gyfnodolynErthygladolygiad gan gymheiriaid

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Repressed Memories and Desires: The Monstrous Other in Agustí Villaronga’s Pa negre. / Bru-Dominguez, E.
Yn: Bulletin of Hispanic Studies, Cyfrol 93, Rhif 9, 2016, t. 1009-1022.

Allbwn ymchwil: Cyfraniad at gyfnodolynErthygladolygiad gan gymheiriaid

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Bru-Dominguez, E 2016, 'Repressed Memories and Desires: The Monstrous Other in Agustí Villaronga’s Pa negre', Bulletin of Hispanic Studies, cyfrol. 93, rhif 9, tt. 1009-1022. https://doi.org/10.3828/bhs.2016.63

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Bru-Dominguez E. Repressed Memories and Desires: The Monstrous Other in Agustí Villaronga’s Pa negre. Bulletin of Hispanic Studies. 2016;93(9):1009-1022. doi: 10.3828/bhs.2016.63

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Bru-Dominguez, E. / Repressed Memories and Desires: The Monstrous Other in Agustí Villaronga’s Pa negre. Yn: Bulletin of Hispanic Studies. 2016 ; Cyfrol 93, Rhif 9. tt. 1009-1022.

RIS

TY - JOUR

T1 - Repressed Memories and Desires: The Monstrous Other in Agustí Villaronga’s Pa negre

AU - Bru-Dominguez, E.

PY - 2016

Y1 - 2016

N2 - This article locates Pa negre’s aesthetics of the ghostly and the monstrous and its association with narratives of transgressive sexuality in relation to a variety of texts and films. Rather than focusing exclusively on historical or political accounts, this reading of Pa negre is based on the Freudian concept of the uncanny to show how the director draws attention to society’s fears about sexual difference. It suggests that in doing so, Agustí Villaronga denounces the mechanisms whereby the deviant socio-sexual Other has habitually been excluded, cleansed as it were, from the memory of the collective.

AB - This article locates Pa negre’s aesthetics of the ghostly and the monstrous and its association with narratives of transgressive sexuality in relation to a variety of texts and films. Rather than focusing exclusively on historical or political accounts, this reading of Pa negre is based on the Freudian concept of the uncanny to show how the director draws attention to society’s fears about sexual difference. It suggests that in doing so, Agustí Villaronga denounces the mechanisms whereby the deviant socio-sexual Other has habitually been excluded, cleansed as it were, from the memory of the collective.

U2 - 10.3828/bhs.2016.63

DO - 10.3828/bhs.2016.63

M3 - Article

VL - 93

SP - 1009

EP - 1022

JO - Bulletin of Hispanic Studies

JF - Bulletin of Hispanic Studies

SN - 1475-3839

IS - 9

ER -