Songs lost and found: Katherine Philips's Pompey's Ghost
Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid
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Yn: Music and Letters, Cyfrol 103, Rhif 4, gcac015, 07.11.2022, t. 591-629.
Allbwn ymchwil: Cyfraniad at gyfnodolyn › Erthygl › adolygiad gan gymheiriaid
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TY - JOUR
T1 - Songs lost and found: Katherine Philips's Pompey's Ghost
AU - Cunningham, John
PY - 2022/11/7
Y1 - 2022/11/7
N2 - First staged at the Smock Alley Theatre in Dublin in 1663, Katherine Philips’s Pompey was the first play by a woman to be performed on the British stage. It was also pathbreaking in its use of entr’acte songs, which Philips newly added. This essay explores the complex afterlife of one song from the play, popularly known as Pompey’s Ghost. It was her most widely disseminated text, though it largely circulated anonymously or attributed to other authors. Between 1663 and 1806 the song was set to music at least five times. One late seventeenth-century setting became popular in New England and was known there into the nineteenth century. By the late eighteenth century, through another setting, the song became known as Scottish. The tune to which Pompey’s Ghost was sung in Scotland had been thought lost but can now be identified, restoring more of the song’s complex reception history and significance.
AB - First staged at the Smock Alley Theatre in Dublin in 1663, Katherine Philips’s Pompey was the first play by a woman to be performed on the British stage. It was also pathbreaking in its use of entr’acte songs, which Philips newly added. This essay explores the complex afterlife of one song from the play, popularly known as Pompey’s Ghost. It was her most widely disseminated text, though it largely circulated anonymously or attributed to other authors. Between 1663 and 1806 the song was set to music at least five times. One late seventeenth-century setting became popular in New England and was known there into the nineteenth century. By the late eighteenth century, through another setting, the song became known as Scottish. The tune to which Pompey’s Ghost was sung in Scotland had been thought lost but can now be identified, restoring more of the song’s complex reception history and significance.
KW - Katherine Philips
KW - Robert Burns
KW - Geminiani
KW - Henry Purcell
KW - Commonplace books
KW - Manuscript dissemination
KW - Book culture
KW - Cultural history
KW - music
U2 - 10.1093/ml/gcac015
DO - 10.1093/ml/gcac015
M3 - Article
VL - 103
SP - 591
EP - 629
JO - Music and Letters
JF - Music and Letters
SN - 0027-4224
IS - 4
M1 - gcac015
ER -