The Harpsichord and the Embodied Acousmatic
Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Pennod
In this chapter I discuss the principles underlying the composition of my piece INT/ext, for harpsichord and tape (1991). I focus particularly on my personal understanding of key principles of acousmatic music (that is, fixed-medium sonic art heard only on loudspeakers) and explain how these relate to music for the harpsichord. I explain how INT/ext is a practical outworking of an embodied model of acousmatic sound in which both harpsichord and electronic parts contain within themselves the sonic traces of three essential and interdependent elements: agent, sounding body and space.
| Iaith wreiddiol | Saesneg |
|---|---|
| Teitl | Harpsichord Reimagined |
| Is-deitl | Resonances in Contemporary Music |
| Golygyddion | John Palmer, Jane Chapman |
| Cyhoeddwr | Vision Edition |
| ISBN (Argraffiad) | 978-1-0687122-1-0 |
| Statws | Cyhoeddwyd - Ion 2025 |