The Rotting City : Surrealist Arts of Noticing the Urban Anthropocene

Allbwn ymchwil: Cyfraniad at gyfnodolynErthygladolygiad gan gymheiriaid

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The Rotting City : Surrealist Arts of Noticing the Urban Anthropocene. / Wilson, Japhy.
Yn: Space and Culture, 21.03.2023, t. 1-12.

Allbwn ymchwil: Cyfraniad at gyfnodolynErthygladolygiad gan gymheiriaid

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Wilson J. The Rotting City : Surrealist Arts of Noticing the Urban Anthropocene. Space and Culture. 2023 Maw 21;1-12. doi: 10.1177/12063312231159202

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TY - JOUR

T1 - The Rotting City : Surrealist Arts of Noticing the Urban Anthropocene

AU - Wilson, Japhy

PY - 2023/3/21

Y1 - 2023/3/21

N2 - This article develops a surrealist approach to researching and writing about the urban Anthropocene, as a critical contribution to existing literatures on “arts of noticing” and “staying with the trouble.” Drawing on psychogeographical explorations of the city of Iquitos in the Peruvian Amazon and distancing itself from conventional modes of academic writing, the article presents a montage of surrealist images of this (post)apocalyptic metropolis. Iquitos emerges as a palimpsest of the wreckage of repeated resource booms, strewn with the ruins of a stillborn modernity and incubating an uncanny fusion of apocalyptic and utopian elements observable in the everyday practices of its subaltern inhabitants. Just as Paris was the capital of the 19th century for Walter Benjamin’s Arcades Project, so the interpretation of Iquitos as an extreme metaphor for our combined and uneven apocalypse designates it as the capital of the Anthropocene.

AB - This article develops a surrealist approach to researching and writing about the urban Anthropocene, as a critical contribution to existing literatures on “arts of noticing” and “staying with the trouble.” Drawing on psychogeographical explorations of the city of Iquitos in the Peruvian Amazon and distancing itself from conventional modes of academic writing, the article presents a montage of surrealist images of this (post)apocalyptic metropolis. Iquitos emerges as a palimpsest of the wreckage of repeated resource booms, strewn with the ruins of a stillborn modernity and incubating an uncanny fusion of apocalyptic and utopian elements observable in the everyday practices of its subaltern inhabitants. Just as Paris was the capital of the 19th century for Walter Benjamin’s Arcades Project, so the interpretation of Iquitos as an extreme metaphor for our combined and uneven apocalypse designates it as the capital of the Anthropocene.

U2 - 10.1177/12063312231159202

DO - 10.1177/12063312231159202

M3 - Article

SP - 1

EP - 12

JO - Space and Culture

JF - Space and Culture

SN - 1206-3312

ER -