11 September 2001: the Italian writers’ response

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11 September 2001: the Italian writers’ response. / Ania, G.F.
In: Modern Italy, Vol. 17, No. 1, 16.01.2012, p. 119-137.

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Ania GF. 11 September 2001: the Italian writers’ response. Modern Italy. 2012 Jan 16;17(1):119-137. doi: 10.1080/13532944.2012.640422

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Ania, G.F. / 11 September 2001: the Italian writers’ response. In: Modern Italy. 2012 ; Vol. 17, No. 1. pp. 119-137.

RIS

TY - JOUR

T1 - 11 September 2001: the Italian writers’ response

AU - Ania, G.F.

PY - 2012/1/16

Y1 - 2012/1/16

N2 - One month after the terrorist attacks on the World Trade Centre in New York, the Corriere della Sera published an article on the possible future consequences for literature of this horrific event. Some novelists boldly declared their work would not be affected at all, while others observed that their literary visions and perspectives were already responses to life's tragic aspects. Several writers confessed to wondering, at least initially, whether literature henceforth could continue to have any real sense. A decade later, this essay examines the nature of the Italian response. It looks first at the views of those writers who expressed opinions directly to the press or in essay form, and then at a small number of novels (by Tullio Avoledo, Marisa Bulgheroni and Tiziana Rinaldi Castro) and short stories (by Andrea Piva, Andrej Longo and Andrea Canobbio) which have embraced the theme, and which have done so in ways that reinforce the sense of an underlying political and/or cultural aesthetic. Connections between twenty-first-century reactions to 9/11 and the Italian experience or memory of political terrorism and war will be explored, as well as the question of inspiration for novelists, in the particular context of catastrophe or trauma.

AB - One month after the terrorist attacks on the World Trade Centre in New York, the Corriere della Sera published an article on the possible future consequences for literature of this horrific event. Some novelists boldly declared their work would not be affected at all, while others observed that their literary visions and perspectives were already responses to life's tragic aspects. Several writers confessed to wondering, at least initially, whether literature henceforth could continue to have any real sense. A decade later, this essay examines the nature of the Italian response. It looks first at the views of those writers who expressed opinions directly to the press or in essay form, and then at a small number of novels (by Tullio Avoledo, Marisa Bulgheroni and Tiziana Rinaldi Castro) and short stories (by Andrea Piva, Andrej Longo and Andrea Canobbio) which have embraced the theme, and which have done so in ways that reinforce the sense of an underlying political and/or cultural aesthetic. Connections between twenty-first-century reactions to 9/11 and the Italian experience or memory of political terrorism and war will be explored, as well as the question of inspiration for novelists, in the particular context of catastrophe or trauma.

U2 - 10.1080/13532944.2012.640422

DO - 10.1080/13532944.2012.640422

M3 - Article

VL - 17

SP - 119

EP - 137

JO - Modern Italy

JF - Modern Italy

SN - 1353-2944

IS - 1

ER -