Critical trends in transnational cinema: Inter-Asian productions and exchanges

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Standard Standard

Critical trends in transnational cinema: Inter-Asian productions and exchanges. / Yang, Yanling; Clini, Clelia; Dasgupta, Rohit K.
In: Transnational Screens, Vol. 11, No. 3, 01.12.2020, p. 177-186.

Research output: Contribution to journalArticlepeer-review

HarvardHarvard

Yang, Y, Clini, C & Dasgupta, RK 2020, 'Critical trends in transnational cinema: Inter-Asian productions and exchanges', Transnational Screens, vol. 11, no. 3, pp. 177-186. https://doi.org/10.1080/25785273.2020.1823078

APA

Yang, Y., Clini, C., & Dasgupta, R. K. (2020). Critical trends in transnational cinema: Inter-Asian productions and exchanges. Transnational Screens, 11(3), 177-186. https://doi.org/10.1080/25785273.2020.1823078

CBE

MLA

Yang, Yanling, Clelia Clini and Rohit K. Dasgupta. "Critical trends in transnational cinema: Inter-Asian productions and exchanges". Transnational Screens. 2020, 11(3). 177-186. https://doi.org/10.1080/25785273.2020.1823078

VancouverVancouver

Yang Y, Clini C, Dasgupta RK. Critical trends in transnational cinema: Inter-Asian productions and exchanges. Transnational Screens. 2020 Dec 1;11(3):177-186. Epub 2020 Oct 23. doi: 10.1080/25785273.2020.1823078

Author

Yang, Yanling ; Clini, Clelia ; Dasgupta, Rohit K. / Critical trends in transnational cinema: Inter-Asian productions and exchanges. In: Transnational Screens. 2020 ; Vol. 11, No. 3. pp. 177-186.

RIS

TY - JOUR

T1 - Critical trends in transnational cinema: Inter-Asian productions and exchanges

AU - Yang, Yanling

AU - Clini, Clelia

AU - Dasgupta, Rohit K.

PY - 2020/12/1

Y1 - 2020/12/1

N2 - In light of the shift from the first phase to the second phase of transnational cinema studies, this special issue aims to examine a set of practices of transnational cinema that have been taking place within South and East Asia. In exploring transnational cinema activities in the form of transnational remakes, co-productions, cross-contamination of genres, diasporic and (post)colonial cinemas, as well as contemporary documentary film festivals, this issue puts the spotlight on critical trends in transnational cinemas occurring beyond the Western spheres of influences. Focusing on practical applications of case studies across China, Korea, India and United Arab Emirates, this special issue contributes to the debates on the definition and practical applications for research on transnational cinema studies.

AB - In light of the shift from the first phase to the second phase of transnational cinema studies, this special issue aims to examine a set of practices of transnational cinema that have been taking place within South and East Asia. In exploring transnational cinema activities in the form of transnational remakes, co-productions, cross-contamination of genres, diasporic and (post)colonial cinemas, as well as contemporary documentary film festivals, this issue puts the spotlight on critical trends in transnational cinemas occurring beyond the Western spheres of influences. Focusing on practical applications of case studies across China, Korea, India and United Arab Emirates, this special issue contributes to the debates on the definition and practical applications for research on transnational cinema studies.

U2 - 10.1080/25785273.2020.1823078

DO - 10.1080/25785273.2020.1823078

M3 - Article

VL - 11

SP - 177

EP - 186

JO - Transnational Screens

JF - Transnational Screens

SN - 2578-5273

IS - 3

ER -