Research Portal

Cutting Up Paris

Research output: Non-textual form › Digital or Visual Products

Standard Standard

Cutting Up Paris. Eisentraut, Jochen (Composer). 2016. Bangor University School of Music: Event: Oxum, Bangor University School of Music, Bangor, United Kingdom.

Research output: Non-textual form › Digital or Visual Products

HarvardHarvard

Eisentraut, J, Cutting Up Paris, 2016, Digital or Visual Products, Bangor University School of Music.

APA

Eisentraut, J. (2016). Cutting Up Paris. Digital or Visual Products, .

CBE

Eisentraut J. 2016. Cutting Up Paris. Bangor University School of Music. [Digital or Visual Products]. Oxum, Bangor, United Kingdom, 25/11/16

MLA

Eisentraut, Jochen, Cutting Up Paris, Public Performance udg., Bangor University School of Music, Digital or Visual Products, 2016, Oxum, 25 Nov 2016, Bangor, United Kingdom

VancouverVancouver

Eisentraut J. Cutting Up Paris Bangor University School of Music: . 2016.

Author

Eisentraut, Jochen (Composer). / Cutting Up Paris. [Digital or Visual Products].

RIS

TY - ADVS

T1 - Cutting Up Paris

A2 - Eisentraut, Jochen

PY - 2016/11/25

Y1 - 2016/11/25

N2 - A conceptual audiovisual composition. A melody for soprano saxophone composed by Jochen Eisentraut is performed by him in its entirety in various locations in Paris and video recorded in each. The resulting recordings are then intercut so that the melody is still continuous, but the location, and the ambient sound, change continuously. The compostion is post-modern in conception, referencing a number of styles such as baroque, jazz and Middle Eastern music. The basic theme is written in the Arab Hijaz mode. The piece is a comment on the culture of Paris and its many global links. The contentious situation which arises in relation to the recent terrorist attacks is alluded to by by the use of Hijaz and by including the exterior of the Bataclan music venue as a location, scene of a terrorist massacre in which 90 people died in November 2015.

AB - A conceptual audiovisual composition. A melody for soprano saxophone composed by Jochen Eisentraut is performed by him in its entirety in various locations in Paris and video recorded in each. The resulting recordings are then intercut so that the melody is still continuous, but the location, and the ambient sound, change continuously. The compostion is post-modern in conception, referencing a number of styles such as baroque, jazz and Middle Eastern music. The basic theme is written in the Arab Hijaz mode. The piece is a comment on the culture of Paris and its many global links. The contentious situation which arises in relation to the recent terrorist attacks is alluded to by by the use of Hijaz and by including the exterior of the Bataclan music venue as a location, scene of a terrorist massacre in which 90 people died in November 2015.

KW - Paris

KW - Soprano saxophone

KW - postmodern music

KW - Arab

KW - music

KW - film

KW - video

KW - jazz

M3 - Digital or Visual Products

CY - Bangor University School of Music

T2 - Oxum

Y2 - 25 November 2016 through 25 November 2016

ER -