(De)Facing the Wall. Street art’s traditions, transactions and transgressions
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In: Irish Journal of French Studies, Vol. 12, 31.12.2012, p. 83-111.
Research output: Contribution to journal › Article › peer-review
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TY - JOUR
T1 - (De)Facing the Wall. Street art’s traditions, transactions and transgressions
AU - Jein, G.
PY - 2012/12/31
Y1 - 2012/12/31
N2 - Exploring the shifting ground of the relationship between street art and transgression, this article analyses the dislocation of street art from its traditional geographies of deviance and, in the era of advanced commodity culture, investigates the possibilities for understanding this art form as a socially engaged spatial practice. Embedding contemporary street art in the artistic practices of Surrealism and Situationism, the article traces a lineage of graffiti's associations with protest and the street through to its current manifestations within some of the world's most established 'white cube' gallery spaces. In attempting to avoid the inevitable melancholic readings of street art as commodified sign, the paper argues for the importance of considering the locatedness of the work in any evaluation, and thus moves to read street art in correspondence with the urban spaces in which it performs.
AB - Exploring the shifting ground of the relationship between street art and transgression, this article analyses the dislocation of street art from its traditional geographies of deviance and, in the era of advanced commodity culture, investigates the possibilities for understanding this art form as a socially engaged spatial practice. Embedding contemporary street art in the artistic practices of Surrealism and Situationism, the article traces a lineage of graffiti's associations with protest and the street through to its current manifestations within some of the world's most established 'white cube' gallery spaces. In attempting to avoid the inevitable melancholic readings of street art as commodified sign, the paper argues for the importance of considering the locatedness of the work in any evaluation, and thus moves to read street art in correspondence with the urban spaces in which it performs.
U2 - 10.7173/164913312806739719
DO - 10.7173/164913312806739719
M3 - Article
VL - 12
SP - 83
EP - 111
JO - Irish Journal of French Studies
JF - Irish Journal of French Studies
SN - 1649-1335
ER -