Künstlerische Avantgardeforschung und Institutionskritik in Christoph Schlingensiefs Müllfestspiele (1996), Seven X (1999) und Erster Attaistischer Kongress (2002)
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Christoph Schlingensief und die Avantgarde. ed. / Lore Knapp; Sven Lindholm; Sarah Pogoda. Fink Verlag, 2019.
Research output: Chapter in Book/Report/Conference proceeding › Chapter
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TY - CHAP
T1 - Künstlerische Avantgardeforschung und Institutionskritik in Christoph Schlingensiefs Müllfestspiele (1996), Seven X (1999) und Erster Attaistischer Kongress (2002)
AU - Pogoda, Sarah
N1 - author has asked NOT to validate until publication of the book
PY - 2019/3/25
Y1 - 2019/3/25
N2 - The paper explores three projects by Christoph Schlingensief, Müllfestspiele (1996), Seven X (1999) and Erster Attaistischer Kongress (2002), none of which has previously been examined in detail by scholars. The paper first identifies the tremendous extent to which Schlingensief expanded on the avant-garde traditions of the Berlin Volksbühne. It then goes on to demonstrate how Schlingensief’s artistic research into the avant garde generated and pursued a paradigmatic change in institutional critique. In the process, Schlingensief revealed artistic strategies for gaining autonomy with and within institutions. This also means that, in his artistic practice, Schlingensief had already anticipated and implicitly refuted Andrea Fraser´s later theoretical framing of the supposed limitations of institutional critique by artists.
AB - The paper explores three projects by Christoph Schlingensief, Müllfestspiele (1996), Seven X (1999) and Erster Attaistischer Kongress (2002), none of which has previously been examined in detail by scholars. The paper first identifies the tremendous extent to which Schlingensief expanded on the avant-garde traditions of the Berlin Volksbühne. It then goes on to demonstrate how Schlingensief’s artistic research into the avant garde generated and pursued a paradigmatic change in institutional critique. In the process, Schlingensief revealed artistic strategies for gaining autonomy with and within institutions. This also means that, in his artistic practice, Schlingensief had already anticipated and implicitly refuted Andrea Fraser´s later theoretical framing of the supposed limitations of institutional critique by artists.
KW - Christoph Schlingensief
KW - Avant-Garde
KW - Performance
KW - Institutional Critique
KW - Theatre
KW - Volksbühne
KW - Dilettantism
KW - German Studies
UR - https://brill.com/view/title/53677
M3 - Pennod
SN - 978-3-7705-6413-2
BT - Christoph Schlingensief und die Avantgarde
A2 - Knapp, Lore
A2 - Lindholm, Sven
A2 - Pogoda, Sarah
PB - Fink Verlag
T2 - Christoph Schlingensief und die Avantgarde
Y2 - 2 February 2017 through 4 February 2017
ER -