LEBENSLIEDER: Daybreak: Version for Chamber Ensemble
Research output: Non-textual form › Composition
'Lebenslieder' is a song-symphony for orchestra or chamber ensemble with electronics. The vocal part consists of extracts from recorded interviews with people with dementia and their partners who care for them. Their voices are translated directly into orchestral material, bringing the experience of living with dementia into the concert hall, breaking the silence that often surrounds the topic, and giving voice to the real-life, day-to-day experience of what is fast becoming the defining medical condition of our age.
'Daybreak', the opening movement of 'Lebenslieder', concerns the moment that those with dementia, or those close to them, first started to notice something was different: the 'dawning' of the realisation that there may be a 'problem'. It also considers the subsequent reactions of family, colleagues and friends, as the reality of dementia is brought into the full light of day.
The composition of 'Lebenslieder' was funded by The Leverhulme Trust as part of a Leverhulme Research Fellowship in 2017. It was undertaken in co-operation with Professor Bob Woods of Bangor University, and the ACTIFCare research project, funded in the UK by the ESRC. Special thanks to Hannah Jelley (Research Project Support Officer, Bangor University), and to all the participants for sharing their thoughts and experiences: John Alderson, Sandra Alderson, Colin Davies, Judy Futter, Eric Jones, Gwen B Mayer and two anonymous contributors.
'Daybreak', the opening movement of 'Lebenslieder', concerns the moment that those with dementia, or those close to them, first started to notice something was different: the 'dawning' of the realisation that there may be a 'problem'. It also considers the subsequent reactions of family, colleagues and friends, as the reality of dementia is brought into the full light of day.
The composition of 'Lebenslieder' was funded by The Leverhulme Trust as part of a Leverhulme Research Fellowship in 2017. It was undertaken in co-operation with Professor Bob Woods of Bangor University, and the ACTIFCare research project, funded in the UK by the ESRC. Special thanks to Hannah Jelley (Research Project Support Officer, Bangor University), and to all the participants for sharing their thoughts and experiences: John Alderson, Sandra Alderson, Colin Davies, Judy Futter, Eric Jones, Gwen B Mayer and two anonymous contributors.
Keywords
- music, music composition, orchestral music, instrumental music, electronic music
Original language | English |
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Publisher | CE Composers Edition |
Publication status | Published - 2018 |
Research outputs (3)
- Published
LEBENSLIEDER (complete): Version for Chamber Ensemble
Research output: Non-textual form › Composition
- Published
LEBENSLIEDER: Nachtmusik: Version for Chamber Ensemble
Research output: Non-textual form › Composition
- Published
LEBENSLIEDER: Scherzo: Version for Chamber Ensemble
Research output: Non-textual form › Composition
Prof. activities and awards (3)
WJEC/Eduqas Music Teacher CPD Workshop
Activity: Other › Types of Business and Community - CPD delivery/organisation of courses for externals (in kind)
Lebenslieder (performance)
Activity: Other › Types of Public engagement and outreach - Festival/Exhibition
Leverhulme Research Fellowship
Activity: Other › Types of Award - Fellowship awarded competitively
Accolades (1)
Prix international de composition électroacoustique KLANG!
Prize: Prize (including medals and awards)