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New approaches to French cinema’s intermediality

Research output: Contribution to journal › Review article

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New approaches to French cinema’s intermediality. / Miller, Elizabeth.
In: Studies in French Cinema, Vol. 20, No. 2, 06.02.2020, p. 140-146.

Research output: Contribution to journal › Review article

HarvardHarvard

Miller, E 2020, 'New approaches to French cinema’s intermediality', Studies in French Cinema, vol. 20, no. 2, pp. 140-146. https://doi.org/10.1080/14715880.2019.1707435

APA

Miller, E. (2020). New approaches to French cinema’s intermediality. Studies in French Cinema, 20(2), 140-146. https://doi.org/10.1080/14715880.2019.1707435

CBE

Miller E. 2020. New approaches to French cinema’s intermediality. Studies in French Cinema. 20(2):140-146. https://doi.org/10.1080/14715880.2019.1707435

MLA

Miller, Elizabeth. "New approaches to French cinema’s intermediality". Studies in French Cinema. 2020, 20(2). 140-146. https://doi.org/10.1080/14715880.2019.1707435

VancouverVancouver

Miller E. New approaches to French cinema’s intermediality. Studies in French Cinema. 2020 Feb 6;20(2):140-146. doi: 10.1080/14715880.2019.1707435

Author

Miller, Elizabeth. / New approaches to French cinema’s intermediality. In: Studies in French Cinema. 2020 ; Vol. 20, No. 2. pp. 140-146.

RIS

TY - JOUR

T1 - New approaches to French cinema’s intermediality

AU - Miller, Elizabeth

PY - 2020/2/6

Y1 - 2020/2/6

N2 - While discourse surrounding intermedial artistic practice may include discussion of France, or studies of Francophone directors may discuss artistic influence, there have historically been very few English-language books on the topic firmly rooted within a French context, with Jefferson Kline’s Screening the Text: Intertextuality in New Wave French Cinema (1992) a notable exception. However, the last three years have seen a surge in publications interested in French art’s intertextuality, including Agnès Varda between Film, Photography, and Art (DeRoo 2017), Music in Contemporary French Cinema: The Crystal-Song (Powrie 2017), Paris in the Cinema: Beyond the Flâneur (Phillips and Vincendeau 2018), Intermedial Dialogues: The French New Wave and the Other Arts (Schmid 2019) and French Literature on Screen (Pettey and Palmer 2019), as well as the forthcoming The History of French Literature on Film (Griffiths and Watts, forthcoming). The two most recently published books – both in June 2019 – are the focus of this article.

AB - While discourse surrounding intermedial artistic practice may include discussion of France, or studies of Francophone directors may discuss artistic influence, there have historically been very few English-language books on the topic firmly rooted within a French context, with Jefferson Kline’s Screening the Text: Intertextuality in New Wave French Cinema (1992) a notable exception. However, the last three years have seen a surge in publications interested in French art’s intertextuality, including Agnès Varda between Film, Photography, and Art (DeRoo 2017), Music in Contemporary French Cinema: The Crystal-Song (Powrie 2017), Paris in the Cinema: Beyond the Flâneur (Phillips and Vincendeau 2018), Intermedial Dialogues: The French New Wave and the Other Arts (Schmid 2019) and French Literature on Screen (Pettey and Palmer 2019), as well as the forthcoming The History of French Literature on Film (Griffiths and Watts, forthcoming). The two most recently published books – both in June 2019 – are the focus of this article.

U2 - 10.1080/14715880.2019.1707435

DO - 10.1080/14715880.2019.1707435

M3 - Review article

VL - 20

SP - 140

EP - 146

JO - Studies in French Cinema

JF - Studies in French Cinema

SN - 1471-5880

IS - 2

ER -