Translocated spaces and mobile identities in Camilo Gonsar’s Cara a Times Square
Research output: Chapter in Book/Report/Conference proceeding › Chapter
Standard Standard
Here and Beyond: Narratives of Travel and Mobility in Contemporary Iberian Culture. ed. / Sergi Mainer; David Miranda-Barreiro; Martín Veiga. Lit Verlag, 2021. (Hispanic Transnational Studies).
Research output: Chapter in Book/Report/Conference proceeding › Chapter
HarvardHarvard
APA
CBE
MLA
VancouverVancouver
Author
RIS
TY - CHAP
T1 - Translocated spaces and mobile identities in Camilo Gonsar’s Cara a Times Square
AU - Miranda-Barreiro, David
PY - 2021/11/30
Y1 - 2021/11/30
N2 - Camilo Gonsar’s novel Cara a Times Square [Towards Times Square] (1980) revolves around the journey across New York City of two characters whose real names are unknown to the reader. Both are migrants, possibly from the same country (seemingly from Galicia, although the narrator does not fully confirm their origin), who converse in English. One of them, who asks to be called the Belgian, openly rejects his national identity and declares to be from nowhere. As they walk, their itinerary becomes blurred and they end up in another city which lacks any markers of identity. The novel therefore suggests an interrelation between the literary construction of space and identity conflicts. This chapter analyses this allegorical journey, which anticipates the tension between the global and local examined by academics such as Marc Augé (1995), Susantha Goonatilake (1995) and Manuel Castells (1997). Drawing on the term “translocation”, borrowed from postcolonial studies, I will suggest that the representation of space in this novel aims not only to reflect such tension, but also to create a glocal image that expresses the resistance of local identities against being engulfed by globalisation.
AB - Camilo Gonsar’s novel Cara a Times Square [Towards Times Square] (1980) revolves around the journey across New York City of two characters whose real names are unknown to the reader. Both are migrants, possibly from the same country (seemingly from Galicia, although the narrator does not fully confirm their origin), who converse in English. One of them, who asks to be called the Belgian, openly rejects his national identity and declares to be from nowhere. As they walk, their itinerary becomes blurred and they end up in another city which lacks any markers of identity. The novel therefore suggests an interrelation between the literary construction of space and identity conflicts. This chapter analyses this allegorical journey, which anticipates the tension between the global and local examined by academics such as Marc Augé (1995), Susantha Goonatilake (1995) and Manuel Castells (1997). Drawing on the term “translocation”, borrowed from postcolonial studies, I will suggest that the representation of space in this novel aims not only to reflect such tension, but also to create a glocal image that expresses the resistance of local identities against being engulfed by globalisation.
KW - Galician Literature
KW - Migration
KW - Identity
KW - Globalisation
M3 - Chapter
SN - 9783643907431
T3 - Hispanic Transnational Studies
BT - Here and Beyond
A2 - Mainer, Sergi
A2 - Miranda-Barreiro, David
A2 - Veiga, Martín
PB - Lit Verlag
ER -