Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony
Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Pennod
StandardStandard
Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. / Pascall, R.J.; Weller, P.; Musgrave, M. (Golygydd) et al.
Performing Brahms: Early Evidence of Performance Style. 2003. gol. Cambridge University Press, 2003. t. 220-243.
Performing Brahms: Early Evidence of Performance Style. 2003. gol. Cambridge University Press, 2003. t. 220-243.
Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Pennod
HarvardHarvard
Pascall, RJ, Weller, P, Musgrave, M (gol.) & Sherman, BD (gol.) 2003, Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. yn Performing Brahms: Early Evidence of Performance Style. 2003 gol., Cambridge University Press, tt. 220-243.
APA
Pascall, R. J., Weller, P., Musgrave, M. (Gol.), & Sherman, B. D. (Gol.) (2003). Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. Yn Performing Brahms: Early Evidence of Performance Style (2003 gol., tt. 220-243). Cambridge University Press.
CBE
Pascall RJ, Weller P, Musgrave M, Sherman BD, gol. 2003. Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. Yn Performing Brahms: Early Evidence of Performance Style. 2003 gol. Cambridge University Press. tt. 220-243.
MLA
Pascall, R.J. et al. "Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony". Performing Brahms: Early Evidence of Performance Style. 2003 udg., Cambridge University Press. 2003, 220-243.
VancouverVancouver
Pascall RJ, Weller P, Musgrave M, (ed.), Sherman BD, (ed.). Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. Yn Performing Brahms: Early Evidence of Performance Style. 2003 gol. Cambridge University Press. 2003. t. 220-243
Author
RIS
TY - CHAP
T1 - Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony
AU - Pascall, R.J.
AU - Weller, P.
A2 - Musgrave, M.
A2 - Sherman, B.D.
PY - 2003/1/1
Y1 - 2003/1/1
M3 - Chapter
SN - 0521652731
SP - 220
EP - 243
BT - Performing Brahms: Early Evidence of Performance Style
PB - Cambridge University Press
ER -