Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. / Pascall, R.J.; Weller, P.; Musgrave, M. (Editor) et al.
Performing Brahms: Early Evidence of Performance Style. 2003. ed. Cambridge University Press, 2003. p. 220-243.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Pascall, RJ, Weller, P, Musgrave, M (ed.) & Sherman, BD (ed.) 2003, Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. in Performing Brahms: Early Evidence of Performance Style. 2003 edn, Cambridge University Press, pp. 220-243.

Pascall, R. J., Weller, P., Musgrave, M. (Ed.), & Sherman, B. D. (Ed.) (2003). Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. In Performing Brahms: Early Evidence of Performance Style (2003 ed., pp. 220-243). Cambridge University Press.

Pascall RJ, Weller P, Musgrave M, Sherman BD, ed. 2003. Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. In Performing Brahms: Early Evidence of Performance Style. 2003 ed. Cambridge University Press. pp. 220-243.

Pascall RJ, Weller P, Musgrave M, (ed.), Sherman BD, (ed.). Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. In Performing Brahms: Early Evidence of Performance Style. 2003 ed. Cambridge University Press. 2003. p. 220-243

Pascall, R.J. ; Weller, P. ; Musgrave, M. (Editor) et al. / Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony. Performing Brahms: Early Evidence of Performance Style. 2003. ed. Cambridge University Press, 2003. pp. 220-243

TY - CHAP

T1 - Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his Second Piano Concerto and Fourth Symphony

AU - Pascall, R.J.

AU - Weller, P.

A2 - Musgrave, M.

A2 - Sherman, B.D.

PY - 2003/1/1

Y1 - 2003/1/1

M3 - Chapter

SN - 0521652731

SP - 220

EP - 243

BT - Performing Brahms: Early Evidence of Performance Style

PB - Cambridge University Press

ER -

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