Moving Shakespeare: La danse narrative and adapting to the Bard
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Dogfennau
- 2020 Moving Shakespeare
Llawysgrif awdur wedi’i dderbyn, 379 KB, dogfen-PDF
Dolenni
- https://doi.org/10.1177/0184767820914513
Fersiwn derfynol wedi’i chyhoeddi
This article considers the expectations of narrative that frequently surround
Shakespearean dance adaptation. Reviewing responses to two contemporary productions (Le Songe by Les Ballets de Monte Carlo and Golden Hours (As You Like It) by the Rosas company), discussion pays particular attention to critical and audience appetites when attending to performances of Shakespeare on the dance stage. Highlighting contemporary debates in dance studies, the discussion draws to a close examining the challenges of transposing (often well-known) Shakespearean texts into bodily gesture and movement
Shakespearean dance adaptation. Reviewing responses to two contemporary productions (Le Songe by Les Ballets de Monte Carlo and Golden Hours (As You Like It) by the Rosas company), discussion pays particular attention to critical and audience appetites when attending to performances of Shakespeare on the dance stage. Highlighting contemporary debates in dance studies, the discussion draws to a close examining the challenges of transposing (often well-known) Shakespearean texts into bodily gesture and movement
Allweddeiriau
| Iaith wreiddiol | Saesneg |
|---|---|
| Tudalennau (o-i) | 18-37 |
| Nifer y tudalennau | 20 |
| Cyfnodolyn | Cahiers Elisabéthains |
| Cyfrol | 102 |
| Rhif y cyfnodolyn | 1 |
| Dyddiad ar-lein cynnar | 30 Maw 2020 |
| Statws | Cyhoeddwyd - 20 Gorff 2020 |
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