[Pre-Aug 2018] School of Creative Studies and Media
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Writers Reading Digital Fiction: An Empirical Study of Digital Writers' Response to Ergodic Texts
Skains, R., 11 Nov 2016.Research output: Contribution to conference › Paper › peer-review
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Women in wasteland - Gendered deserts in T. S. Eliot and Shelley Jackson.
Ensslin, A., 1 Nov 2005, In: Journal of Gender Studies. 14, 3, p. 205-216Research output: Contribution to journal › Article › peer-review
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Who makes site-specific dance? The year of the artist and the matrix of curating.
Lawrence, K. M., Lawrence, K., Rugg, J. (ed.) & Sedgwick, J. (ed.), 1 Jan 2007, Issues in Curating Contemporary Art and Performance.. 2007 ed. Intellect, p. 163-174Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Where Neo-Conservatism Was Born.
Abrams, N. D. & Abrams, N., 11 Dec 2006, In: History News Network.Research output: Contribution to journal › Article › peer-review
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When the script runs out,…what happens to the polarized war body? Deconstructing western 24/7 news coverage of operation Iraqi freedom 2003.
Bakir, V., McStay, A., Randell, K. (ed.) & Redmond, S. (ed.), 1 Jan 2008, The War Body on Screen. 2008 ed. Continuum, p. 165-181Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review
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What was HAL? IBM, Jewishness, and Stanley Kubrick's 2001: A Space Odyssey (1968)
Abrams, N., 2017, In: Historical Journal of Film, Radio and Television. 37, 3, p. 416-435Research output: Contribution to journal › Article › peer-review
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What of consent in an age of empathic media?
McStay, A., 24 Feb 2015.Research output: Contribution to conference › Paper
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What makes a Jewish film Jewish?
Abrams, N. D. & Abrams, N., 1 Jan 2005.Research output: Contribution to conference › Paper