"Disability and Post-ETA Poetics"

Research output: Contribution to journalArticlepeer-review

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"Disability and Post-ETA Poetics". / Miguelez-Carballeira, Helena.
In: Studies in Spanish and Latin American Cinemas, 04.12.2023.

Research output: Contribution to journalArticlepeer-review

HarvardHarvard

Miguelez-Carballeira, H 2023, '"Disability and Post-ETA Poetics"', Studies in Spanish and Latin American Cinemas.

APA

Miguelez-Carballeira, H. (2023). "Disability and Post-ETA Poetics". Studies in Spanish and Latin American Cinemas.

CBE

Miguelez-Carballeira H. 2023. "Disability and Post-ETA Poetics". Studies in Spanish and Latin American Cinemas.

MLA

Miguelez-Carballeira, Helena. ""Disability and Post-ETA Poetics"". Studies in Spanish and Latin American Cinemas. 2023.

VancouverVancouver

Miguelez-Carballeira H. "Disability and Post-ETA Poetics". Studies in Spanish and Latin American Cinemas. 2023 Dec 4.

Author

Miguelez-Carballeira, Helena. / "Disability and Post-ETA Poetics". In: Studies in Spanish and Latin American Cinemas. 2023.

RIS

TY - JOUR

T1 - "Disability and Post-ETA Poetics"

AU - Miguelez-Carballeira, Helena

PY - 2023/12/4

Y1 - 2023/12/4

N2 - In this article, I explore the use of cultural emotions in state-aligned post-ETA poetics by analysing the role that illness and disability play in post-ceasefire filmic - Fuego/Fire (Luis Marías, 2014) - and literary - Patria/Homeland (Fernando Aramburu, 2016) - representations of the Basque national conflict. Recent critical discussions interpret disability in Spanish film and literature as harbingers of inclusivity and cultural pluralism (Fraser, 2013; Marr, 2013). However, if placed in the intensely polarised context for media and cultural representations of the Basque conflict in Spain, disability plays a less salutary role. Concretely, I argue that the possibility of post-ETA closure is often envisaged via the spectacularisation (and thus the instrumentalisation) of disabled and ill bodies, which are used to ‘mobilise affect’ towards a series of state-sanctioned positions with regard to victimhood, forgiveness and post-conflict reconciliation.

AB - In this article, I explore the use of cultural emotions in state-aligned post-ETA poetics by analysing the role that illness and disability play in post-ceasefire filmic - Fuego/Fire (Luis Marías, 2014) - and literary - Patria/Homeland (Fernando Aramburu, 2016) - representations of the Basque national conflict. Recent critical discussions interpret disability in Spanish film and literature as harbingers of inclusivity and cultural pluralism (Fraser, 2013; Marr, 2013). However, if placed in the intensely polarised context for media and cultural representations of the Basque conflict in Spain, disability plays a less salutary role. Concretely, I argue that the possibility of post-ETA closure is often envisaged via the spectacularisation (and thus the instrumentalisation) of disabled and ill bodies, which are used to ‘mobilise affect’ towards a series of state-sanctioned positions with regard to victimhood, forgiveness and post-conflict reconciliation.

KW - Basque conflict

KW - ETA

KW - disability

KW - illness

KW - Basque cinema

KW - Patria

M3 - Article

JO - Studies in Spanish and Latin American Cinemas

JF - Studies in Spanish and Latin American Cinemas

SN - 2050-4837

ER -