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Introduction: Comics and Adaptation

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Introduction: Comics and Adaptation. / Blin-Rolland, Armelle; Lecomte, Guillaume; Ripley, Marc.
In: European Comic Art, Vol. 10, No. 1, 30.04.2017, p. 1-8.

Research output: Contribution to journal › Article

HarvardHarvard

Blin-Rolland, A, Lecomte, G & Ripley, M 2017, 'Introduction: Comics and Adaptation', European Comic Art, vol. 10, no. 1, pp. 1-8. https://doi.org/10.3167/eca.2017.100102

APA

Blin-Rolland, A., Lecomte, G., & Ripley, M. (2017). Introduction: Comics and Adaptation. European Comic Art, 10(1), 1-8. https://doi.org/10.3167/eca.2017.100102

CBE

Blin-Rolland A, Lecomte G, Ripley M. 2017. Introduction: Comics and Adaptation. European Comic Art. 10(1):1-8. https://doi.org/10.3167/eca.2017.100102

MLA

Blin-Rolland, Armelle, Guillaume Lecomte and Marc Ripley. "Introduction: Comics and Adaptation". European Comic Art. 2017, 10(1). 1-8. https://doi.org/10.3167/eca.2017.100102

VancouverVancouver

Blin-Rolland A, Lecomte G, Ripley M. Introduction: Comics and Adaptation. European Comic Art. 2017 Apr 30;10(1):1-8. doi: 10.3167/eca.2017.100102

Author

Blin-Rolland, Armelle ; Lecomte, Guillaume ; Ripley, Marc. / Introduction: Comics and Adaptation. In: European Comic Art. 2017 ; Vol. 10, No. 1. pp. 1-8.

RIS

TY - JOUR

T1 - Introduction: Comics and Adaptation

AU - Blin-Rolland, Armelle

AU - Lecomte, Guillaume

AU - Ripley, Marc

PY - 2017/4/30

Y1 - 2017/4/30

N2 - This introduction to this special issue of European Comic Art on ‘Comics and Adaptation’ provides a brief overview of the field of adaptation studies, with a particular focus on its considerable developments and expansion since the late 1990s, as it has moved beyond a comparative novel-to-film approach to centre instead around questions of intertextuality and hypertextuality. This special issue aims to contribute to this field and to the growing body of works on comics and adaptation. The authors explore questions of transnational circulation of visual, narrative and generic motifs (Boillat); heteronormalisation and phallogocentrism (Krauthaker and Connolly); authenticity of drawn events (Lecomte); identity in a stateless minoritised culture (Blin-Rolland); ‘high’ and popular culture (Blank); reverence in comic adaptations of the literary canon (de Rooy); and documentary and parody (Ripley).

AB - This introduction to this special issue of European Comic Art on ‘Comics and Adaptation’ provides a brief overview of the field of adaptation studies, with a particular focus on its considerable developments and expansion since the late 1990s, as it has moved beyond a comparative novel-to-film approach to centre instead around questions of intertextuality and hypertextuality. This special issue aims to contribute to this field and to the growing body of works on comics and adaptation. The authors explore questions of transnational circulation of visual, narrative and generic motifs (Boillat); heteronormalisation and phallogocentrism (Krauthaker and Connolly); authenticity of drawn events (Lecomte); identity in a stateless minoritised culture (Blin-Rolland); ‘high’ and popular culture (Blank); reverence in comic adaptations of the literary canon (de Rooy); and documentary and parody (Ripley).

U2 - 10.3167/eca.2017.100102

DO - 10.3167/eca.2017.100102

M3 - Article

VL - 10

SP - 1

EP - 8

JO - European Comic Art

JF - European Comic Art

SN - 1754-3797

IS - 1

ER -