TY - JOUR

T1 - Moving Shakespeare: La danse narrative and adapting to the Bard

AU - Hiscock, Andrew

PY - 2020/7/20

Y1 - 2020/7/20

N2 - This article considers the expectations of narrative that frequently surroundShakespearean dance adaptation. Reviewing responses to two contemporary productions (Le Songe by Les Ballets de Monte Carlo and Golden Hours (As You Like It) by the Rosas company), discussion pays particular attention to critical and audience appetites when attending to performances of Shakespeare on the dance stage. Highlighting contemporary debates in dance studies, the discussion draws to a close examining the challenges of transposing (often well-known) Shakespearean texts into bodily gesture and movement

AB - This article considers the expectations of narrative that frequently surroundShakespearean dance adaptation. Reviewing responses to two contemporary productions (Le Songe by Les Ballets de Monte Carlo and Golden Hours (As You Like It) by the Rosas company), discussion pays particular attention to critical and audience appetites when attending to performances of Shakespeare on the dance stage. Highlighting contemporary debates in dance studies, the discussion draws to a close examining the challenges of transposing (often well-known) Shakespearean texts into bodily gesture and movement

KW - Shakespearean dance adaptation

KW - Jean-Christophe Maillot

KW - Anne Teresa De Keersmaeker

KW - Le Songe

KW - Golden Hours (As You Like It)

M3 - Article

VL - 102

SP - 18

EP - 37

JO - Cahiers Elisabéthains

JF - Cahiers Elisabéthains

SN - 0184-7678

IS - 1

ER -