School of Arts, Culture and Language
2701 - 2707 out of 2,707Page size: 50
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Reading and Deciphering: Mallarmé's rhythmic sensation
Abbott, H. M., Abbott, H., Lindley, E. (ed.) & McMahon, L. (ed.), 1 Jan 2008, Rhythms: Essays in French Literature: Thought and Culture. 2008 ed. Peter Lang, p. 29-42Research output: Chapter in Book/Report/Conference proceeding › Chapter
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The poet-composer in late nineteenth-century France: Baudelaire, Verlaine, Villiers, Rollinat.
Abbott, H. M. & Abbott, H., 21 Feb 2009.Research output: Contribution to conference › Paper
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Mallarmé’s rhythmic sensation: a process of “déchiffrage”?
Abbott, H. M. & Abbott, H., 20 Apr 2006.Research output: Contribution to conference › Paper
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A voice in the crowd? Strategies of ‘voice-ification’ in Baudelaire and Mallarmé.
Abbott, H. M. & Abbott, H., 6 Oct 2004.Research output: Contribution to conference › Paper
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Politics or poetics? Villiers de l’Isle-Adam’s “Vox populi”.
Abbott, H. M. & Abbott, H., 1 Jan 2008, In: Romance Studies. 26, 2, p. 126-135Research output: Contribution to journal › Article › peer-review
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Discordant harmonies?: relationships between theories of poetry and theories of music.
Abbott, H. M. & Abbott, H., 8 May 2004.Research output: Contribution to conference › Paper
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Singing the pleasures and pains of Paris.
Abbott, H. M., Abbott, H. & Wells, A., 25 Aug 2005.Research output: Contribution to conference › Paper