This Visual Law article accounts an event “A Royal Dis-Sent –
Re-Writing and Re-Imagining a Series of Repetitive Beats CJA
1994” held at House of Annetta, on London’s Brick Lane, on
Sunday 3 November 2024. On that day it was 30 years since
the notorious Criminal Justice and Public Order Act (CJA) 1994
was given royal assent, illegalizing raves, banning music that
“includes sounds wholly or predominantly characterized by the
emission of a succession of repetitive beats” (section 63(1)(B)).
Discussions as to the nature of sound and law are unravelled,
considering prohibition, nomadism, repetition and property
concerning the connections found between law, music and
aesthetics that the CJA 1994 and the workshop highlighted.
The summary relays the work of event organizers Dr Daniel
Hignell-Tully and Dr Lucy Finchett-Maddock under the guise of
transdisciplinary project “Instrumenting(s)”, investigating the
relations between sound, property and law, and how we may
best understand the history of land within legalities and their
resistances via a combination of legal, scientific and artistic
research through the development of a “geosocial instrument”.