1. Published

   ‘Tu te décolonises’: Comics Re-framings of the Breton Liberation Front (FLB)

   Blin-Rolland, A., 1 Jul 2019, In: Studies in Comics. 10, 1, p. 73-91

   Research output: Contribution to journal › Article › peer-review

2. Published

   ‘Unseen but very evident’: Ghosts, Hauntings, and the Civil War Past

   Durrant, M., 8 Nov 2018, From Medievalism to Early Modernism: Adapting the English Past. Norrie, A. & Gerzic, M. (eds.). Routledge, p. 244-260 (Routledge Studies in Medieval Literature and Culture ).

   Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

3. Published

   ‘What changes break before us’: Semi-Peripheral Modernity in Lynette Roberts' Poetry and Prose

   Webb, A., 15 Apr 2019, Locating Lynette Roberts: Always Observant and Slightly Obscure. McAvoy, S. (ed.). Cardiff: University of Wales Press, p. 83-99 17 p. (Writing Wales in English).

   Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

4. Published

   ‘What learne you by that?’: Spain, Shakespeare and the Anxiety of Romance

   Hiscock, A. W., Hiscock, A., Bellis, C. (ed.) & González, J. M. (ed.), 1 Jan 2011, Shakespeare, Cervantes, and Rabelais: New Interpretations and Comparative Studies. 2011 ed. Mellen Press

   Research output: Chapter in Book/Report/Conference proceeding › Chapter

5. Published

   ‘What’s Hecuba to him..?': Memory, Text and Rhetorical Selves in Shakespeare’s Hamlet

   Hiscock, A. W., Hiscock, A., Shepard, A. (ed.) & Powell, S. D. (ed.), 1 Jan 2004, Fantasies of Troy. Classical Tales and the Social Imaginary in Medieval and Early Modern Europe. 2004 ed. CRRS Publications, p. 161-176

   Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

6. Published

   ‘What’s in a name?’: Authorship and Shakespeare Songs in the Eighteenth Century

   Cunningham, J., Feb 2022, The Oxford Handbook of Shakespeare and Music. Wilson, C. R. & Cooke, M. (eds.). London: Oxford: OUP

   Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

7. Published

   ‘Where should this music be?’: Cataloguing Shakespeare Music’

   Cunningham, J., May 2022, The Oxford Handbook of Shakespeare and Music. Wilson, C. R. & Cooke, M. (eds.). Oxford : Oxford: OUP, p. 33–74 41 p.

   Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

8. Published

   ‘Who hears or reads of That, shall publish Thee’: Print, Transmission, and the King’s Book

   Durrant, M., 23 Apr 2018, In: Scintilla: The Journal of the Vaughan Association. 21, p. 97-119

   Research output: Contribution to journal › Article › peer-review

9. Published

   ‘Yn y Fro’: Mudiad Adfer and Welsh Popular Song during the 1970s.

   ap Sion, P. E. & Ap-Sion, P. E., 1 Jan 2002, In: Welsh Music History. 5, p. 190-216

   Research output: Contribution to journal › Article › peer-review

10. Published

    ‘Yn y Fro’: Mudiad Adfer a’r Canu Pop Cymraeg yn ystod y 1970au.

    ap Sion, P. E. & Ap-Sion, P. E., 1 Jan 2002, In: Hanes Cerddoriaeth Cymru. 5, p. 162-189

    Research output: Contribution to journal › Article › peer-review

11. Published

    ‘You Son-of-a-Bitch’: The Poetic Debate between Dafydd ap Gwilym and Gruffudd Gryg.

    Roberts, S. E., 1 Jan 2006.

    Research output: Contribution to conference › Paper

12. Published

    ‘«Virilitat de país»: discursos sobre masculinitat, nació i poder polític’

    Miguelez-Carballeira, H., 15 Dec 2017, Terra de ningú: Perspectives feministes sobre la independència. Barcelona: Pol•len Edicions, p. 131-137

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

13. Published

    ‘‘Troelus a Chresyd": Translating Chaucer from page to stage Chaucer in Early Modern Wales

    Niebrzydowski, S. A., 1 Jan 2007.

    Research output: Contribution to conference › Paper

14. Published

    ‘“Cut my heart in sums”: Community-making and –breaking in the prodigal drama of Thomas Middleton’

    Hiscock, A., 28 Oct 2016, Community-Making in Early Stuart Theatres . Sell, R. D., Johnson, A. W. & Wilcox, H. (eds.). Abingdon: Routledge, p. 311-337 26 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

15. Published

    ‘“Faint copies” and “excellent Originalls”: Composition and Consumption of Trio Sonatas in England, c.1695–1714’

    Cunningham, J., 26 Mar 2018, Eine Geographie der Triosonate: Beitraege zur Gattungsgeschichte im Europaeischen Raum. Groote, I. M. & Giuggioli, M. (eds.). Schweizerische Musikforschende Gesellschaft, p. 113-140 27 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

16. Published

    ‘“Fruit of that monst’rous night!”: Le théâtre anglais 1660-1760 et les plaisirs de la nuit’, Fruit of that monst'rous night: English theatre 1660-1760 and the pleasures of the night

    Hiscock, A., 2015, In: Arrêt sur scène / Scene Focus. 4, p. 33-48

    Research output: Contribution to journal › Article › peer-review

17. Published

    ‘“I was not know for sure what be the Queen, Evan; was you?”’: Fictions of Development in Amy Dillwyn’s The Rebecca Rioter (1880)

    Koehler, K., 8 Nov 2023, In: 19: Interdisciplinary Studies in the Long Nineteenth Century.

    Research output: Contribution to journal › Article › peer-review

18. Published

    ‘“Let them be lusty, smart-speaking viols”: William Lawes and the lyra-viol trio

    Cunningham, J., 2006, In: Journal of the Viola da Gamba Society of America. 43, p. 32-68 36 p.

    Research output: Contribution to journal › Article › peer-review

19. Published

    ‘“Man is a Battlefield within Himself”: Arms and the Affections in the Counsel of More, Erasmus, Vives, and their Circle’

    Hiscock, A. W., 7 Aug 2015, Emotions and War. Medieval to Romantic Literature. Downes, S., Lynch, A. & O'Loughlin, K. (eds.). 2015 ed. Palgrave Macmillan, p. 152-168 (Palgrave Studies in the History of Emotions).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

20. Published

    ‘“Miss Cathy's riven th' back off 'Th' Helmet uh Salvation'': Representing Book Destruction in Mid-Victorian Print Culture’

    Colclough, S. M., Colclough, S., Partington, G. (ed.) & Smyth, A. (ed.), 10 Sept 2014, Book Destruction from the Medieval to the Contemporary. 2014 ed. Palgrave Macmillan, p. 135-151

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

21. Published

    ‘“Not a lot spoken, but a lot said”

    ap Sion, P., 17 May 2019, Howard Skempton: Conversations and reflections in music. Cavett, E. & Head, M. (eds.). Martlesham: Boydell & Brewer, p. 149–170 21 p.

    Research output: Chapter in Book/Report/Conference proceeding › Chapter › peer-review

22. Published

    ‘“Shakspeare, s’avançant”: A Bard, the Nineteenth Century and a Tale of Two Cities’ Theatres’

    Hiscock, A., Dec 2017, In: Shakespeare. 13, 4, p. 333-50 18 p.

    Research output: Contribution to journal › Article › peer-review

23. Published

    ‘“Some consorts of instruments are sweeter than others”: Further light on the harp of William Lawes’s Harp Consorts

    Cunningham, J., Apr 2008, In: Galpin Society Journal . 61, p. 147–176 29 p.

    Research output: Contribution to journal › Article › peer-review

24. Published

    ‘“Why I should welcome such a guest as grief [?]”: Lodging and dislodging in Shakespeare's Richard II’

    Hiscock, A., Jul 2022, In: Cahiers Elisabéthains. 108, 1, p. 91-106

    Research output: Contribution to journal › Article › peer-review

25. Unpublished

    ‘”The deep dark zero”: Dylan Thomas and the contaminated landscapes of the future’

    Webb, A., 7 Sept 2022, (Unpublished).

    Research output: Contribution to conference › Paper › peer-review